Sight Singing II	Theory Things William Wieland
Singing at Sight — Sing slowly and keep a steady tempo. Do not pause, stop or restart. Good posture and breath support improve intonation.
ITEM PERFORMED COMPETENTLY   POINTS     RUNNING TOTAL   G   do, re, mi, fa, sol — 2nds and 3rds (Most did this last semester.) 22 22 H   do, re, me, fa, sol — 2nds and 3rds (Most did this last semester.) 18 40   S   Major — Only Stepwise — Simple Meter — Practice:  Sa  Sb  Sc  Sd 14 54   3   Major Tonic Triad Exercise 3 10 64 4   Major Tonic Triad Exercise 4 8 72   I Major — Tonic Triad Leaps — Simple Meter — Practice:  Ia  Ib  Ic  Id 7 79 C Major — Tonic Triad Leaps — Compound Meter — Practice:  Ca  Cb 6 85   t minor tonic triad exercise 3 5 90 f minor tonic triad exercise 4 4 94   i minor — Tonic Triad Leaps — Simple Meter — Practice:  ia  ib  ic  id 3 97   V Major — Tonic Triad & Dominant Chord Leaps — Practice:  Va  Vb 2 99 Ω minor — Tonic Triad & Dominant Chord Leaps — Practice:  Ωa  Ωb 1 100
For me, competency means few or no mistakes, e.g. a 4-bar phrase may have one careless mistake. If a performance is of questionable quality, you will perform that level again later in the semester to earn full credit.
Major Scale with Solfège Tonic Triad Drill with Solfège Numbers Letters (in C) Tonic Triad Leaps with Solfège Numbers Letters (in C)	Minor Scales with Solfège : Natural Harmonic Melodic Tonic Triad Drill with Solfège Letters (in a) Tonic Triad Leaps with Solfège Letters (in a)
Group Singing Rounds on the bottom of Imitation, Canon, & Round webpage. Begin with the first three. Sight Singing—Follow the finger. Andrew C. Fox's Sight Singing Method The Folk Song Sight Singing Series