MUS 111, Music Theory II - Final Exam	Schedule Syllabus William Wieland
(You must pass the final to pass the class.)
Around 20% of the exam — Write an Octatonic Scale, write a Blues Scale, know the keys of common Transposing Instruments, and learn my Instrumentation Basics. (See Instrumentation Questions.) Roughly 20% of the exam — Write Seventh Chords above given roots. You might first I.D. chords at musictheory.net Exercises. (Choose Chord Identification.) Dominant Seventh Chords Major Seventh Chords Minor Seventh Chords Diminished and Half-diminished Seventh Chords   Maj., min. & dim. 7th chords Seventh Chords Made Easy Common Chords Compared   About 20% of the exam — Perform a Roman numeral analysis of a simple hymn-like excerpt which includes secondary chords. First review my Introduction to Secondary Dominants. Next, practice with the online tutorials, worksheets, and real music at Applied Chords. Approximately 20% of the exam — Add soprano, alto and tenor lines to a figured bass according to the part writing principles. Part Writing above a Figured Bass (examples for practice)   Feel free to ask me for tips for each example. Figured Bass: Triads  7th chords   Part Writing Tips and Writing Rules Your Threefold Amen Give or take 10% of the exam — Answer questions about the form and harmony of a simple piano piece. Sonata Form, Fugue, Binary Form, Ternary Form and Rondo Form Triad Recognition Quizzes:  1–3   4–6  7–9 Form and Analysis Questions — I.D. Forms More or less 10% of the exam — Write secondary dominants and secondary leading tone chords above given Roman numerals. Tutorial I and Tutorial II
COVID-19 Practice Exam (90% of your exam) — The following audio control plays the first passage: