| Fugue Glossary | Fugue Diagram Theory Things William Wieland |
| Fugue | an imitative contrapuntal composition that develops a theme (Fugues usually incorporate three or four voices which enter one by one.) |
| Subject (S) | the recurring theme of a fugue (The subject is stated at the very beginning of a fugue, usually unaccompanied. The subject is often in two parts, the head and the tail.) |
| Answer (A) | the second (and sometimes fourth) statement of the subject transposed to the dominant (up a perfect 5th or down a perfect 4th) |
| Real Answer Tonal Answer |
an exact transposition of the subject (up a P5 or down a P4) a transposed subject which is altered to maintain the tonic key |
| Countersubject (CS) | the theme which regularly accompanies the subject (Not all fugues have countersubjects. Countersubjects usually follow the initial subject statement in the same voice and therefore first accompany the answer.) |
| Exposition | a section in which the complete subject appears, particularly the initial section which introduces the subject successively in each voice |
| Bridge | a short passage in the exposition between full statements of the subject (a.k.a. link or codetta) particularly the passage after the 1st answer |
| Episode | a section which does not include the complete subject (Episodes often employ sequences or stretto.) |
| Sequence | a technique in which a motive or short figure is successively stated, the motive being transposed by equidistant intervals |
| Stretto | the introduction of two or more entries of the subject at a closer time-interval than that of the exposition to heighten the dramatic effect |
| False Entry | an incomplete subject entry often used in stretto |