Mozart Requiem “Lacrimosa” Analysis Assignment |
William Wieland |
Print Mozart Requiem “Lacrimosa”, first 8 bars.
Interesting manuscript — Mozart Requiem “Lacrimosa”, first 8 bars — his handwriting!
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First determine the facts.
- On your printed music, write the English translation of each Latin word immediately below the Latin word—a literal, word-for-word translation. 20 pts – 2 per Latin word
- Copy a good English translation (by a human being) of the first 8 bars and cite your source. (See the liner notes of a recording or go online.) 8 pts for the translation, 4 pts for citing the source
- Perform a Roman numeral analysis of bars 3 – 8 of the choral music. Because string basses sound an octave lower than written, F is the lowest note on beat 2 of bars 3 and 4. This does not change the Roman numeral, but it does invert the chord. Straightforward chords are worth more points. 37 pts
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Next, analyze. Analysis is the art of understanding music. These are perhaps the last 8 measures Mozart composed for his Requiem and among the most beautiful. How does Mozart achieve such beauty? Consider the following musical elements:
- harmony — major or minor? simple or complex? diatonic or chromatic?
- melody — ascending or descending? conjunt or disjunct? diatonic or chromatic?
- rhythm — same or different each measure?
- articulation — legato or staccato?
- dynamics — soft or loud?
- orchestration — few or many?
- conclusion — include form and insight about the relationship of the music to the lyrics
Write at least one sentence for each bullet. BIG HINT: When writing about each musical element, consider the Latin text. 28 pts – 4 per sentence
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3 points for submitting the assignment on time.
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Listen to the 8 bars repeatedly. You will hear things you do not see.
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