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Predominant – Dominant – Tonic (a very common progression)
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Theory Things
William Wieland
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| S – D – T stands for Subdominant – Dominant – Tonic (the same thing.) |
MAJOR KEYS
| Predominants | Dominants | Tonic |
| ii | 6
(5) |
| ii | (7)
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| IV |
| IV – ii |
| vi |
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| V | (7)
|
| vii ° | 6
|
| vii ° | 6
|
– V |
| I | 6
4 |
– V | (7)
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| vii | ° | 7
|
| vii | ø
| 7
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minor keys
| Predominants | Dominants | Tonic |
| | ii | ° | 6
|
| ii | ø
| 7
|
| iv |
| iv – ii | ° | 6
|
| VI |
|
| V | (7)
|
| vii ° | 6
|
| vii ° |
6
|
– V |
| i | 6
4 |
– V | (7)
|
| vii | ° | 7
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| vii | ø
| 7
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| N | 6
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It | 6
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Gr | 6
| and |
Fr | 6
| are also predominants in both major and minor keys. |
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