| Augmented Sixth Chords | Theory Things William Wieland | |
| 2 pitches (the A6) resolve to the dominant by ½ step. | |||||||||||||||||||||
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| All augmented sixth chords also include tonic. | ||||||||
| Italian Sixth Chord | — only 3 notes (A6 + tonic) — since it does not have 4 notes it has a hole, like macaroni | 
 | Beethoven Bagatelle no. 1 (on this page) | |||||
| German Sixth Chord * | — 4 notes (A6 + major triad) — reliable, like a dominant 7th (enharmonically equivalent) — the cadential 6/4 avoids parallel fifths. | 
 | Joplin The Chrysanthemum (on page 1) | |||||
| French Sixth Chord | — 4 notes (A6 + two M3) — mysterious, like tritones and the whole tone scale | 
 | Joplin The Cascades (top of p. 4) | |||||
| Chromaticism — EVERY part on this page either moves by half step or remains on the same tone! | 
| Note — Augmented sixth chords may trick you. We identify chords by stacking pitches in thirds, line-line-line or space-space-space, i.e. every other letter. However, F#-Ab-C-Eb is not a common seventh chord. How can you tell? F sharp up to A flat is a diminished 3rd. (Diminished 3rds are enharmonically equivalent to major 2nds.) | 
| DryErasedTheory - Augmented Sixth Chord Review (3:30) — awesome video by richard johnson | 
| * Doubly Augmented Sixth Chord | — another spelling of the German Sixth (enharmonically equivalent) — used in major keys | 
 | Ask me the “nationality”! |